MARIE VERSINI WINNETOU 1966 BEAUTIFUL 2 1/4 CAMERA TRANSPARENCY PETER BASCH

Description

MARIE VERSINI WINNETOU 1966 BEAUTIFUL 2 1/4 CAMERA TRANSPARENCY PETER BASCH
PETER BASCH PHOTOGRAPHY
PROVENANCE:
T
he image offered in this listing comes directly from the personal archived library of
PETER BASCH
who was a celebrity and artistic nude Playboy photographer during the 1940s through the 1970s. Mr. Basch was a master in glamour and nude fine art photography having authored many books on the subject. In addition to photographer signed and/or stamped photographic images, we are only offering 100% guaranteed original camera images (B&W negatives and color transparencies) which have been stored away since he produced his first work. Many of the original camera film images (negatives and transparencies) have never been seen before and are one of a kind. Others have been published in the world's top celebrity and men's magazines. The rediscovery of the mastery of Peter Basch will reveal his respect and passion for photographing the world's top celebrities and most beautiful women such as
BETTIE PAGE
,
JAYNE MANSFIELD
,
GRACE KELLY
,
SOPHIA LOREN
,
MARLON BRANDO
,
JANE FONDA
,
BRIGITTE BARDOT
,
ANITA EKBERG
,
FEDERICO FELLINI
,
URSULA ANDRESS
, and many more. Please see a bio and additional notes on Peter Basch below
.
DESCRIPTION:
Vintage 1966 original 2 1/4" color camera transparency of French actress
MARIE VERSINI
in a lovely portrait taken while filming
Winnetou: Thunder at the Border
(Jadran Film, 1966),
by photographer
PETER BASCH
and from his personal archive.
This is the original transparency (color film) that was in the camera at the time of the photo shoot and is therefore the only one of its kind in existence.
RIGHTS:
The
PETER BASCH FAMILY TRUST
is the sole and exclusive copyright owner of the listed image(s). No rights are included in this offering.
- SIZE:
2 1/4"
- TONE:
color
- CONDITION:
Fine, with some light spots.
_______________________________________________________________
CONDITION GRADING
Excellent:
Very nearly pristine, with no more than trivial flaws.
Very Fine:
One or two minor defects and only the slightest handling wear.
Fine:
Minor flaws, with slight handling or surface flaws.
Very Good:
Slight scuffing, rippling, minor surface impressions.
Good:
Visibly used with small areas of wear, which may include surface impressions and spotting.
Fair:
Visibly damaged with extensive wear.
SHIPPING TERMS
- I ship all items using, what I call, triple protection packing. The photos are inserted into a display bag with a white board, then packed in between thick packaging boards and lastly wrapped with plastic film for weather protection before being placed into the shipping envelope.
- The shipping cost for U.S. shipments includes USPS "Delivery Confirmation" tracking.
- I am happy to combine multiple wins at no additional cost.
Please wait for me to issue the invoice before making payment.
PAYMENT TERMS
- Please pay within three (3) days of purchase.
- I reserve the right to re-list the item(s) if payment is not received within seven (7) days.
- All sales taxes applicable to the City of Los Angeles, State of California and the 2019 Marketplace Sales Tax Law in other states shall be applied.
CUSTOMER SERVICE
- I will respond to all inquiries within 24 hours.
________________________________________________________________
PETER BASCH
(1921-2004) was a German/American glamour photographer who captured thousands of images of the most prominent stars of the 50s and 60s. Peter Basch was born in Berlin, Germany, the only child of Felix Basch and Grete Basch-Freund, both prominent theater and film personalities of the German-speaking world. In 1933 the family came to New York due to fears of rising anti-Jewish sentiment and laws in Germany. The family had US citizenship because Felix's father, Arthur Basch, was a wine trader who lived in San Francisco. After moving back to Germany, Arthur Basch kept his American citizenship, and passed it to his children and, thence, to his grandchildren. When the Basch family arrived in New York in 1933, they opened a restaurant on Central Park South in the Navarro Hotel. The restaurant, Gretel's Viennese, became a hangout for the Austrian expatriate community. Peter Basch had his first job there as a waiter. While in New York, Basch attended the De Witt Clinton High School. The family moved to Los Angeles to assist in Basch's father's career, during which time Basch went to school in England. Upon returning to the United States, Basch joined the Army. He was mobilized in the US Army Air Forces' First Motion Picture Unit, where he worked as a script boy. After the war, he started attending UCLA and started taking photographs of young starlets working with other photographers and film studios. His mother asked him to join her back in New York after she and his father decided that Basch should be a photographer and they obtained a photography studio for their son. For over twenty years, Peter Basch had a successful career as a magazine photographer. He was known for his images of celebrities, artists, dancers, actors, starlets, and glamour-girls in America and Europe. His photos appeared in many major magazines such as Life, Look and Playboy.The Peter Basch Collection includes iconic images of all the major midcentury stars, from Europe and America. These masterful images are a window onto a time we cannot forget, when movie stars stepped out of the studio’s control, and we began to see these larger-than-life performers as full, three-dimensional personalities. Basch’s images capture the heart and spirit of these glamorous performers. Taking pictures in natural light, out in the world, we see these stars as full human beings, not the carefully made-up, studio-approved icons of oldfashioned Hollywood. Basch was able to capture the moments of a human being’s spirit, their mercurial reactions, all the facets that made these magnetic individuals the stars they were. Basch authored and co-authored a number of books containing his photographs including: Candid Photography (1958 with Peter Gowland Basch and Don Ornitz Basch) Peter Basch's Glamour Photography (A Fawcett How-To Book) (1958) Peter Basch photographs beauties of the world (1958) Camera in Rome (1963 with Nathan and Simon Basch) Peter Basch Photographs 100 Famous Beauties (1965) The nude as form & figure (1966) Put a Girl in Your Pocket: The Artful Camera of Peter Basch (1969) Peter Basch's Guide to Figure Photography (1975 with Jack Rey)
Thoughts on Peter Basch by his daughter
: "My Father, Peter Basch, saw. He looked and he saw. He taught me to see. He taught me to listen and hear. We used to play a game when I was little. He’d say, Michele, look at the street then look at me, what did you see? I would list the cars, red, black, navy; people, fat, tall, thin; children, parents; trees and plants. He would add the detail. A blue car with New York plates, a black car with New Jersey plates. The people were not just tall or small, thin or fat, they wore coats or sweaters, they laughed or were sad. The trees had leaves, were close together, the green was dark, vivid, the sun playing with the shadow.
My Father saw. He captured in his mind and on film the unexpected moment in time, the interaction between two people, the look, the thought, the breath that punctuated the decision.
My Father was one of the great romantics. He had a true love and appreciation of beauty in its purest form. We would talk about BEAUTY and her differences: natural, Hollywood, young, old and the beauty of communication, interaction, the Beauty of the moment. He recorded the breath in time on film: two ladies in Paris reading the paper, a Dachshund looking around the corner, a chair in front of the Eiffel Tower. My Father saw the thought and seized it for posterity.
My Father understood the language light speaks to shadow. He showed me how the sun plays with dark. His favorite moment was at Sunrise when the shadows were long and soft. He saw every hue from white to black and everything in between. He understood the language, taught and published books on Light and Shadow, Form and Figure.
I traveled through Europe with my Father. I was his assistant! And proud of it! I was the camera person! Changed the film, made sure the lens was clean, stood in during special poses, helped in the dark room, retouched to refine and perfect. I loved watching him talk and listen. He listened to Jane Fonda, Ursula Andress, Brigit Bardot, Fellini, Mastroiani and so many more. He listened and recorded the answer, the thought, that moment of indecision, realization and Seduction."
Film Assignments
:
8½ - Fellini
Jules et Jim - Truffaut
Bijoutiers du Clair de Lune - Vadim
The Vice and the Virtue - Vadim
Fearless Vampire Killers - Polanski
Yesterday, Today and Tomorrow - De Sica
Une Femme Est Une Femme Goddard
Fear - Rosselini
Cartouche - De Broca
Giant - Stevens
Anne Frank - Stevens
Guys and Dolls - Mankiewicz
Horse Soldiers - Ford
Majority of One - Leroy
Walk on the Wild Side - Dmytryk
Wild in the Streets - Spear
Leonidas - Matte
The Day the Fish Came Out - Cocayannis
The Pawnbroker - Lumet
La Verite - Clouzot
La Loi Sacree - Pabst
Baby Doll - Kazan
Summertime - Lean
The 13 Most Beautiful Girls - Warhol
The Three Sisters - Bogart
Francis of Assissi - Curtiz
The Swimmer Perry
Cape Fear
The Man Who Had Power Over Women
The Spy With The Cold Nose
Winnetou
Mata Hari
Exhibitions:
2002 Jewish Museum - Vienna Austria “Vom Grossvater vertrieben”
2002 LEICA Gallery, NYC Portrait of Al Hirschfeld
2001 National Portrait Gallery -- London Dame Elizabeth (Taylor)
2001 Fahey-Klein Gallery, LA Group Show/Great Directors
2001 Museum/City of New York, Al Hirschfeld Exhibit
2000 Museum of Modern Art, NY, Brigitte Bardot
1999 Vienna, Austria – “übersee”
1999 Stadt Museum, Munich, Germany “TWEN” exhibit
1997 Museum of the Moving Image – Grace Kelly
1996 Staley Wise Gallery, NY “Shooting Stars” – one man show
1980s Museum of Modern Art, NY, Sophia Loren LA County Museum "Masters of Starlight" (subsequently traveled to Tokyo & Kyoto, Japan) Stadt Museum, Munich, Germany “AKT” (nudes)
__________________________________________________________________
MARIE VERSINI BIO AND FILMOGRAPHY
Marie Versini
(born 10 August 1940) is a French film and television actress.
Marie Versini appeared in several international cinema productions. After playing in
Karl May film adaptations
she received a number of
German
popularity awards.
Year
Title
Role
Director
1958
A Tale of Two Cities
Marie Gabelle
Ralph Thomas
1961
Paris Blues
Nicole
Martin Ritt
1963
The Young Racers
Sesia Machin
Roger Corman
Apache Gold
Nscho-tschi,
Winnetou
's sister
Harald Reinl
1966
The Brides of Fu Manchu
Marie Lentz
Don Sharp
Is Paris Burning?
Claire Morandat
René Clément
Year
Group
Award
1965
Otto
Gold
1966
Otto
Gold
1967
Bambi
Silver
Otto
Gold
1968
Otto
Gold
1969
Otto
Silver
1970
Otto
Bronze
Actress
(43 titles)
1984
Die schöne Wilhelmine
(TV series)
Mme. Girard
–
Ewige Treue
(1984) … Mme. Girard
1984
Jeans Tonic
Marie-Laurence (as Marie-Antoine Versini)
1982
Die Pawlaks - Eine Geschichte aus dem Ruhrgebiet
(TV series)
Emma de Rougemont
1981
Das waren noch Zeiten - Kleine Geschichten von Kalke & Söhne
(TV movie)
1979
Die Protokolle des Herrn M
(TV series)
Germaine Dernburg
–
Der letzte Schuß
(1979) … Germaine Dernburg
1978
Les pieds poussent en novembre
(TV movie)
Tupman
1977
La foire
(TV movie)
La mère de Pierre
1974-1975
Sergeant Berry
(TV series)
Martha Himes
–
... und ein Pate zuviel
(1975) … Martha Himes
–
... und das Haus am Hafen
(1975) … Martha Himes
–
... und der Linkshänder
(1975) … Martha Himes
–
... und wieder ein Zufall
(1975) … Martha Himes
–
... und der Hundert-Dollar-Druck
(1975) … Martha Himes
See all 15 episodes
»
1974
Les oiseaux de Meiji Jingu
(TV series)
Marie-France
1974
Motiv Liebe
(TV series)
Sonja
–
Die ewige Ungewissheit
(1974) … Sonja
1974
Arsène Lupin
(TV series)
Brigitte Barett
–
Le film révélateur
(1974) … Brigitte Barett
1974
Preussenkorso Nr. 17
(TV movie)
Therese
1973
Pour une poignée d'herbes sauvages
(TV short)
Julia
1973
Inferno
(TV movie)
Mlle. Lecain
1972
Der Lift
(TV movie)
Ines
1972
La lumière noire
(TV movie)
Francesca
1971
Midsummer Night's Dream
(TV movie)
Hippolyta
1971
Es braust ein Ruf wie Donnerhall - Ur-Opas dufter Krieg 70/71
(TV movie)
1971
Olympia - Olympia
(TV movie)
1970
Paul Temple
(TV series)
Genevieve Duclos
–
Antique Death: Part 1
(1970) … Genevieve Duclos
1967
Liebesnächte in der Taiga
Ludmilla Barankova
1966
Winnetou: Thunder at the Border
Nscho-tschi
1966
Is Paris Burning?
Claire Morandat
1966
The Brides of Fu Manchu
Marie Lentz
1965
Ferien mit Piroschka
Tery
1965
Attack of the Kurds
Ingdscha
1965
Durchs wilde Kurdistan
Ingdscha
1965
Halløj i himmelsengen
Zizi
1964
Yellow Devil
Tschita (as Maria Versini)
1964
Sandok, il Maciste della giungla
Princess Dhara
1964
The River Line
Marie
1963
Apache Gold
Nscho-tschi
1963
The Young Racers
Sesia Machin
1962
Black-White-Red Four Poster
Gertrude Forrestier
1961
Paris Blues
Nicole
1960
Jack of Spades
Zita
1960
Il peccato degli anni verdi
Elena Giordani
1960
Grabuge à Chioggia
(TV movie)
Orsetta
1960
Un beau dimanche de septembre
(TV movie)
Lia
1960
La blessure
(short)
Récitante/Narrator (voice)
1959
Britannicus
(TV movie)
Junie
1958
A Tale of Two Cities
Marie Gabelle
1956
Mitsou ou Comment l'esprit vient aux filles...
(uncredited)
Courtesy of Wikipedia and IMDb
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