SHIRLEY JONES 1960s BEAUTIFUL MODEL 2 1/4 CAMERA TRANSPARENCY PETER BASCH

Description

SHIRLEY JONES 1960s BEAUTIFUL MODEL 2 1/4 CAMERA TRANSPARENCY PETER BASCH
PETER BASCH PHOTOGRAPHY
PROVENANCE:
T
he image offered in this listing comes directly from the personal archived library of
PETER BASCH
who was a celebrity and artistic nude Playboy photographer during the 1940s through the 1970s. Mr. Basch was a master in glamour and nude fine art photography having authored many books on the subject. In addition to photographer signed and/or stamped photographic images, we are only offering 100% guaranteed original camera images (B&W negatives and color transparencies) which have been stored away since he produced his first work. Many of the original camera film images (negatives and transparencies) have never been seen before and are one of a kind. Others have been published in the world's top celebrity and men's magazines. The rediscovery of the mastery of Peter Basch will reveal his respect and passion for photographing the world's top celebrities and most beautiful women such as
BETTIE PAGE
,
JAYNE MANSFIELD
,
GRACE KELLY
,
SOPHIA LOREN
,
MARLON BRANDO
,
JANE FONDA
,
BRIGITTE BARDOT
,
ANITA EKBERG
,
FEDERICO FELLINI
,
URSULA ANDRESS
, and many more. Please see a bio and additional notes on Peter Basch below
.
DESCRIPTION:
V
intage original 2 1/4" color camera transparency of
model and actress
SHIRLEY JONES
taken by photographer
PETER BASCH
and from his personal archive
.
This is the original
transparency
(color film) that was in the camera at the time of the photo shoot and is therefore the only one of its kind in existence
.
RIGHTS:
The
PETER BASCH FAMILY TRUST
is the sole and exclusive copyright owner of the listed image(s). No rights are included in this offering.
- SIZE:
2 1/4"
- TONE:
color
- CONDITION:
Very Fine. Upper and lower borders trimmed, touching the image.
_______________________________________________________________
CONDITION GRADING
Excellent:
Very nearly pristine, with no more than trivial flaws.
Very Fine:
One or two minor defects and only the slightest handling wear.
Fine:
Minor flaws, with slight handling or surface flaws.
Very Good:
Slight scuffing, rippling, minor surface impressions.
Good:
Visibly used with small areas of wear, which may include surface impressions and spotting.
Fair:
Visibly damaged with extensive wear.
SHIPPING TERMS
- I ship all items using, what I call, triple protection packing. The photos are inserted into a display bag with a white board, then packed in between thick packaging boards and lastly wrapped with plastic film for weather protection before being placed into the shipping envelope.
- The shipping cost for U.S. shipments includes USPS "Delivery Confirmation" tracking.
- I am happy to combine multiple wins at no additional cost.
Please wait for me to issue the invoice before making payment.
PAYMENT TERMS
- Please pay within three (3) days of purchase.
- I reserve the right to re-list the item(s) if payment is not received within seven (7) days.
-
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________________________________________________________________
PETER BASCH
(1921-2004) was a German/American glamour photographer who captured thousands of images of the most prominent stars of the 50s and 60s. Peter Basch was born in Berlin, Germany, the only child of Felix Basch and Grete Basch-Freund, both prominent theater and film personalities of the German-speaking world. In 1933 the family came to New York due to fears of rising anti-Jewish sentiment and laws in Germany. The family had US citizenship because Felix's father, Arthur Basch, was a wine trader who lived in San Francisco. After moving back to Germany, Arthur Basch kept his American citizenship, and passed it to his children and, thence, to his grandchildren. When the Basch family arrived in New York in 1933, they opened a restaurant on Central Park South in the Navarro Hotel. The restaurant, Gretel's Viennese, became a hangout for the Austrian expatriate community. Peter Basch had his first job there as a waiter. While in New York, Basch attended the De Witt Clinton High School. The family moved to Los Angeles to assist in Basch's father's career, during which time Basch went to school in England. Upon returning to the United States, Basch joined the Army. He was mobilized in the US Army Air Forces' First Motion Picture Unit, where he worked as a script boy. After the war, he started attending UCLA and started taking photographs of young starlets working with other photographers and film studios. His mother asked him to join her back in New York after she and his father decided that Basch should be a photographer and they obtained a photography studio for their son. For over twenty years, Peter Basch had a successful career as a magazine photographer. He was known for his images of celebrities, artists, dancers, actors, starlets, and glamour-girls in America and Europe. His photos appeared in many major magazines such as Life, Look and Playboy.The Peter Basch Collection includes iconic images of all the major midcentury stars, from Europe and America. These masterful images are a window onto a time we cannot forget, when movie stars stepped out of the studio’s control, and we began to see these larger-than-life performers as full, three-dimensional personalities. Basch’s images capture the heart and spirit of these glamorous performers. Taking pictures in natural light, out in the world, we see these stars as full human beings, not the carefully made-up, studio-approved icons of oldfashioned Hollywood. Basch was able to capture the moments of a human being’s spirit, their mercurial reactions, all the facets that made these magnetic individuals the stars they were. Basch authored and co-authored a number of books containing his photographs including: Candid Photography (1958 with Peter Gowland Basch and Don Ornitz Basch) Peter Basch's Glamour Photography (A Fawcett How-To Book) (1958) Peter Basch photographs beauties of the world (1958) Camera in Rome (1963 with Nathan and Simon Basch) Peter Basch Photographs 100 Famous Beauties (1965) The nude as form & figure (1966) Put a Girl in Your Pocket: The Artful Camera of Peter Basch (1969) Peter Basch's Guide to Figure Photography (1975 with Jack Rey)
Thoughts on Peter Basch by his daughter
: "My Father, Peter Basch, saw. He looked and he saw. He taught me to see. He taught me to listen and hear. We used to play a game when I was little. He’d say, Michele, look at the street then look at me, what did you see? I would list the cars, red, black, navy; people, fat, tall, thin; children, parents; trees and plants. He would add the detail. A blue car with New York plates, a black car with New Jersey plates. The people were not just tall or small, thin or fat, they wore coats or sweaters, they laughed or were sad. The trees had leaves, were close together, the green was dark, vivid, the sun playing with the shadow.
My Father saw. He captured in his mind and on film the unexpected moment in time, the interaction between two people, the look, the thought, the breath that punctuated the decision.
My Father was one of the great romantics. He had a true love and appreciation of beauty in its purest form. We would talk about BEAUTY and her differences: natural, Hollywood, young, old and the beauty of communication, interaction, the Beauty of the moment. He recorded the breath in time on film: two ladies in Paris reading the paper, a Dachshund looking around the corner, a chair in front of the Eiffel Tower. My Father saw the thought and seized it for posterity.
My Father understood the language light speaks to shadow. He showed me how the sun plays with dark. His favorite moment was at Sunrise when the shadows were long and soft. He saw every hue from white to black and everything in between. He understood the language, taught and published books on Light and Shadow, Form and Figure.
I traveled through Europe with my Father. I was his assistant! And proud of it! I was the camera person! Changed the film, made sure the lens was clean, stood in during special poses, helped in the dark room, retouched to refine and perfect. I loved watching him talk and listen. He listened to Jane Fonda, Ursula Andress, Brigit Bardot, Fellini, Mastroiani and so many more. He listened and recorded the answer, the thought, that moment of indecision, realization and Seduction."
Film Assignments
:
8½ - Fellini
Jules et Jim - Truffaut
Bijoutiers du Clair de Lune - Vadim
The Vice and the Virtue - Vadim
Fearless Vampire Killers - Polanski
Yesterday, Today and Tomorrow - De Sica
Une Femme Est Une Femme Goddard
Fear - Rosselini
Cartouche - De Broca
Giant - Stevens
Anne Frank - Stevens
Guys and Dolls - Mankiewicz
Horse Soldiers - Ford
Majority of One - Leroy
Walk on the Wild Side - Dmytryk
Wild in the Streets - Spear
Leonidas - Matte
The Day the Fish Came Out - Cocayannis
The Pawnbroker - Lumet
La Verite - Clouzot
La Loi Sacree - Pabst
Baby Doll - Kazan
Summertime - Lean
The 13 Most Beautiful Girls - Warhol
The Three Sisters - Bogart
Francis of Assissi - Curtiz
The Swimmer Perry
Cape Fear
The Man Who Had Power Over Women
The Spy With The Cold Nose
Winnetou
Mata Hari
Exhibitions:
2002 Jewish Museum - Vienna Austria “Vom Grossvater vertrieben”
2002 LEICA Gallery, NYC Portrait of Al Hirschfeld
2001 National Portrait Gallery -- London Dame Elizabeth (Taylor)
2001 Fahey-Klein Gallery, LA Group Show/Great Directors
2001 Museum/City of New York, Al Hirschfeld Exhibit
2000 Museum of Modern Art, NY, Brigitte Bardot
1999 Vienna, Austria – “übersee”
1999 Stadt Museum, Munich, Germany “TWEN” exhibit
1997 Museum of the Moving Image – Grace Kelly
1996 Staley Wise Gallery, NY “Shooting Stars” – one man show
1980s Museum of Modern Art, NY, Sophia Loren LA County Museum "Masters of Starlight" (subsequently traveled to Tokyo & Kyoto, Japan) Stadt Museum, Munich, Germany “AKT” (nudes)
__________________________________________________________________
SHIRLEY JONES BIO
Shirley Mae Jones
(born March 31, 1934) is an American singer and actress of stage, film and television. In her six decades of show business, she has starred as wholesome characters in a number of well-known musical films, such as
Oklahoma!
(1955),
Carousel
(1956), and
The Music Man
(1962). She won the Academy Award for Best Supporting Actress for playing a vengeful prostitute in
Elmer Gantry
(1960). She played Shirley Partridge, the widowed mother of five children in the situation-comedy television series
The Partridge Family
(1970–1974), co-starring her real-life stepson David Cassidy, son of Jack Cassidy.
Jones was born in Charleroi, Pennsylvania, a suburb of Pittsburgh, to Methodist parents Marjorie (née Williams), a strict, strong-minded homemaker, and Paul Jones, owners of the Jones Brewing Company. An only child, she was named after Shirley Temple. The family later moved to the small nearby town of Smithton, Pennsylvania. Jones could sing almost as soon as she could speak. Encouraged by her summer camp counselors, her family arranged for teenaged Shirley to study twice a week, in Pittsburgh, Pennsylvania, with the world-renowned singer and teacher, Ralph Lawando. Afterwards, she frequently joined her father for a show at the Pittsburgh Playhouse, where she fell in love with the musical theatre. Jones won the "Miss Pittsburgh" contest in 1952.
In New York City, her voice teacher convinced her to audition for a Broadway agent, Gus Sherman. Sherman was pleased to put Jones under contract, and with her parents' approval, she resettled in New York City and gave herself one year to become a Broadway performer. She only had 0 in her pocket. If she did not succeed, she would move back to Smithton and study to be a veterinarian.
Her first audition was for an open bi-weekly casting call held by John Fearnley, casting director for Rodgers and Hammerstein and their various musicals. At the time, Jones had never heard of Rodgers and Hammerstein. Fearnley was so impressed that he ran across the street to fetch Richard Rodgers, who was rehearsing with an orchestra for an upcoming musical. Rodgers then called Oscar Hammerstein at home. The two saw great potential in Jones. She became the first and only singer to be put under personal contract with the songwriters. They first cast her in a minor role in
South Pacific
. For her second Broadway show,
Me and Juliet
, she started as a chorus girl, and then an understudy for the lead role, earning rave reviews in Chicago, Illinois.
Jones impressed Rodgers and Hammerstein with her musically trained voice and she was cast as the female lead in the film adaptation of their hit musical
Oklahoma!
in 1955. Other film musicals quickly followed, including
Carousel
,
April Love
(1957) and
The Music Man
, in which she was often typecast as a wholesome, kind character. However, she won a 1960 Academy Award for her performance in
Elmer Gantry
portraying a woman corrupted by the title character played by Burt Lancaster. Her character becomes a prostitute who encounters her seducer years later and takes her revenge. She was reunited with Ron Howard (who had played a role in
The Music Man
) in
The Courtship of Eddie's Father
(1963). Jones landed the role of a lady who fell in love with the professor in
Fluffy
(1965). She also has an impressive stage résumé, including playing the title character in the Broadway musical
Maggie Flynn
in 1968.
As a teenager, Jones made her acting début on an episode of
Fireside Theatre
. The part led to other roles including:
Gruen Guild Playhouse
Ford Star Jubilee
Playhouse 90
Lux Video Theatre
The United States Steel Hour
DuPont Show of the Month
Make Room for Daddy
,
The Comedy Spot
Bob Hope Presents the Chrysler Theatre
The Name of the Game
McMillan & Wife
Disneyland
(also known as
Wonderful World of Disney
)
The Love Boat
Hotel
Murder, She Wrote
Melrose Place
Sabrina the Teenage Witch
In 1970, after her film roles dwindled, and after turning down the role of Carol Brady on
The Brady Bunch
, a role that ultimately went to her best friend, Florence Henderson, Jones was more than happy to be the producers' first choice to audition for the lead role of Shirley Partridge in
The Partridge Family
, an ABC sitcom based on the real-life musical family The Cowsills. The series focused on a young widowed mother whose five children form a pop rock group after the entire family painted its signature bus to travel. She was convinced that the combination of music and comedy would be a surefire hit. Jones realized, however, that:
The problem with
Partridge
—though it was great for me and gave me an opportunity to stay home and raise my kids—when my agents came to me and presented it to me, they said if you do a series and it becomes a hit show, you will be that character for the rest of your life and your film career will go into the toilet, which is what happened. But I have no regrets.
During its first season, it became a hit and was screened in over 70 countries. Within months, Jones and her co-stars were pop culture television icons. Her real-life twenty-year-old stepson David Cassidy, who was an unknown actor at the time, played Shirley Partridge's eldest son, Keith, and became the hottest teen idol in the country. The show itself also spawned a number of records and songs performed by David and Shirley. That same year, "I Think I Love You" reached number one on the Billboard Hot 100 music chart, making Jones the second person, after Frank Sinatra, and the first woman to win an acting Oscar and also have a #1 hit on that chart.
While enjoying playing Shirley Partridge, Jones was in a real-life crisis with her emotionally troubled husband. This sitcom also starred a lot of unknown actors and actresses, such as ex-model Susan Dey as the eldest daughter and second child, Laurie; future radio personality Danny Bonaduce as sarcastic son Danny; and future bookstore manager Suzanne Crough as the youngest child, Tracy. Jeremy Gelbwaks played the original Chris Partridge but left the show after the first season because his parents were moving to another state. Future race car driver Brian Forster replaced him during the series' second season in 1971.
By 1974, the ratings had dropped and David Cassidy finally had had enough of playing Keith Partridge. One of his teenage fans had died of heart failure from injuries sustained while attending one of his concerts.
The Partridge Family
was dropped from the prime-time lineup after four seasons and 96 episodes. Though Jones was outraged about the series' cancellation, she held the show together. In fact, it was one of six series to be cancelled that year (along with
Room 222
,
The F.B.I.
,
The Brady Bunch
,
Owen Marshall: Counselor at Law
, and
Here's Lucy
) to make room for new shows.
Shirley Jones' friendship with David Cassidy's family began in the mid to late 1950s, when David was just six, after he learned about his father's divorce from his mother Evelyn Ward. Upon David's first meeting with Shirley before co-starring with her on
The Partridge Family
, he said, "The day he tells me that they're divorced, he tells me, 'We're remarried, and let me introduce you to my new wife.' He was thrilled when her first film,
Oklahoma!
(1955), had come out; and my dad took me to see it—I just see her, and I go, uh-oh, it doesn't really quite register with me, 'cause I'm in total shock, because I wanted to hate her, but the instant that I met her, I got the essence of her. She's a very warm open, sweet, good human being. She couldn't have thawed it for me — the coldness and the ice — any more than she did." Shirley was shocked to hear her real-life stepson was going to audition for the role of Keith Partridge. David said, "At the auditions, they introduced me to the lead actress (Shirley Jones) 'cause they had no idea, they had no idea. So I said, 'What are you doing here?' She looked at me and said, 'What are you doing here?' And I said, 'Well, I'm reading for the lead guy.' I said, 'What are you doing here?' She said, 'I'm the mother!'" Cassidy discussed his relationship with his stepmother on the show: "She wasn't my mother, and I can be very open, and we can speak, and we became very close friends. She was a very good role model for me, watching the way, you know, she dealt with people on the set, and watching people revere her." After the show's cancellation, Cassidy remained very close to his half-brothers and the rest of his
Partridge Family
cast mates, especially Shirley.
Cassidy appeared on many shows alongside his stepmother, including
A&E Biography
,
TV Land Confidential
, and
The Today Show
, and he was one of the presenters of his stepmother's
Intimate Portrait
on Lifetime Television and the defunct reality show
In Search of the Partridge Family
, where he served as co-executive producer. The rest of the cast also celebrated the 25th, 30th, and the 35th anniversaries of
The Partridge Family
(although Cassidy was unavailable to attend the 25th anniversary in 1995 owing to other commitments). In addition, Jack Cassidy's death in 1976 drew Jones and Cassidy closer as Shirley's three children and stepson mourned their father.
In 1979, Jones tried her hand at television for the second time starring in
Shirley
which, like,
The Partridge Family
, featured a family headed by a widowed mother, but failed to win ratings, and was canceled toward the middle of the season. Jones also played the "older woman" girlfriend of Drew Carey's character in several episodes of
The Drew Carey Show
.
She also won fans in the memorable dramatic project
There Were Times, Dear
, in which she played a loyal wife whose husband is dying of Alzheimer's disease; she was nominated for an Emmy Award for this work.
In February 1986, Shirley Jones unveiled her star on the Hollywood Walk of Fame on Vine Street just around the corner from Hollywood Boulevard.
Jones had a stellar turn in a rare revival of Noël Coward's operetta
Bitter Sweet
at the Long Beach Civic Light Opera in 1983. In 2004, Shirley returned to Broadway in a revival of
42nd Street
, portraying diva "Dorothy Brock" opposite her son Patrick Cassidy—the first time a mother and son were known to star together on Broadway. In July 2005, Jones revisited the musical
Carousel
onstage in Massachusetts portraying "Cousin Nettie". She continues to appear in venues nationwide, in concerts and in speaking engagements.
In July 2006, Jones received another Emmy Award nomination for her supporting performance in the television film
Hidden Places
. Shirley was nominated for a Screen Actors Guild award for the same film but lost to Helen Mirren for
Elizabeth I
. She also appeared in
Grandma's Boy
(2006), produced by Adam Sandler, as a nymphomaniac senior citizen.
On November 16, 2007, she took the stage at the Ford Center in Oklahoma City, Oklahoma, during the Oklahoma Centennial Spectacular concert which celebrated the state's 100th birthday. Jones sang the songs "Oklahoma!" and "People Will Say We're In Love" from the musical
Oklahoma!
.
In early 2008, it was announced that Shirley would play Colleen Brady on the long-running NBC soap opera
Days of our Lives
.
Jones guest starred on ABC Family's short-lived show Ruby & The Rockits, as David & Patrick's mother.
In 2008, U.K. label Stage Door Records released the retrospective collection
Shirley Jones — Then & Now
featuring twenty-four songs from Jones's musical career, including songs from the films
Oklahoma!
,
Carousel
and
April Love
. The album also features new recordings of songs including "Beauty and the Beast", "Memory" and a sentimental tribute to
The Music Man
.
On August 5, 1956, Jones married actor Jack Cassidy, with whom she had three sons, Shaun, Patrick, and Ryan. David Cassidy, Jack's only child from his first marriage to actress Evelyn Ward, became her stepson. Divorcing Cassidy in 1974, she later married comic/actor Marty Ingels on November 13, 1977. Despite drastically different personalities and several separations (she filed, then withdrew, a divorce petition in 2002), they remain married. Jones and Ingels wrote an autobiography based on their quirky relationship/marriage,
Shirley & Marty: An Unlikely Love Story
(William Morrow and Company, in 1990, co-written with Mickey Herskowitz, ISBN 0-688-08457-5).
Jones was friends with her late co-star Gordon MacRae and his ex-wife Sheila, and he was named godfather to her first son, Shaun Cassidy. She also admitted that she had a crush on McRae and was starstruck when she worked opposite him on
Oklahoma!
and states she is the one who convinced MacRae to take the part as Billy Bigelow in
Carousel
. Frank Sinatra, who had originally been cast, suddenly dropped out during the first days of filming because each scene had to be shot twice. Once in CinemaScope 55 (a wider-than-usual, 55 millimeter, 6-track stereo system.) and once in 35mm CinemaScope. Sinatra felt that he should have been paid twice because technically he was shooting two films. Three weeks after he left, they found a way to film the scene once on 55mm, then transfer it onto 35mm.
On the evening of December 11, 1976, after Jones had refused an offer of reconciliation from Jack Cassidy, she received news that her ex-husband's penthouse apartment was on fire. Apparently, the fire started from his lit cigarette when he fell asleep on the couch; the following morning, firefighters found Cassidy's body inside the gutted apartment. Jack "wanted to come back (to me) right up to the day he died", Jones said in a 1983 newspaper interview. "And as I realized later, I wanted him. That's the terrible part. Much as I love Marty and have a wonderful relationship - I'd say this with Marty sitting here - I'm not sure if Jack were alive I'd be married to Marty." Jones was 20 years old when she met Cassidy, who was eight years her senior and refers to him as the most influential person in her life.
Jones is a supporter of PETA.
Jones is the grandmother of nine: Caitlin, Jake, Juliet, Caleb, Roan, Lila and Marian Cassidy, from son Shaun, and Cole and Jack, from son Patrick.
Oklahoma!
(1955)
Carousel
(1956)
April Love
(1957)
Never Steal Anything Small
(1959)
Bobbikins
(1959)
Elmer Gantry
(1960)
Pepe
(1960)
Two Rode Together
(1961)
The Music Man
(1962)
The Courtship of Eddie's Father
(1963)
A Ticklish Affair
(1963)
Dark Purpose
(1964)
Bedtime Story
(1964)
Fluffy
(1965)
The Secret of My Success
(1965)
The Gulf
(1969)
The Happy Ending
(1969)
Oddly Coupled
(1970)
The Cheyenne Social Club
(1970)
Beyond the Poseidon Adventure
(1979)
Tank
(1984)
Jack L. Warner: The Last Mogul
(1993) (documentary)
Cops n Roberts
(1995)
This Is My Father
(1998) (documentary)
Gideon
(1999)
The Adventures of Cinderella's Daughter
(2000)
Ping!
(2000)
Shriek If You Know What I Did Last Friday the Thirteenth
(2000)
Manna from Heaven
(2002)
The Creature of the Sunny Side Up Trailer Park
(2004)
Raising Genius
(2004)
Grandma's Boy
(2006)
Christmas Is Here Again
(2007) (voice)
The Pat Boone Chevy Showroom
(1957) (guest)
Out of the Blue
(1968) (unsold pilot)
Silent Night, Lonely Night
(1969)
The Partridge Family
(1970–1974)
The Girls of Huntington House
(1973)
The Family Nobody Wanted
(1975)
Winner Take All
(1975)
The Lives of Jenny Dolan
(1975)
Yesterday's Child
(1977)
Evening in Byzantium
(1978)
Who'll Save Our Children?
(1978)
A Last Cry for Help
(1979)
Shirley
(1979–1980)
The Children of An Lac
(1980)
Inmates: A Love Story
(1981)
The Adventures of Pollyanna
(1982)
Hotel
(1983) (pilot for series)
Charlie
(1989) (unsold pilot)
Dog's Best Friend
(1997)
The Drew Carey Show
(1998)
That '70s Show
(2000) (cameo)
Hidden Places
(2006)
Monarch Cove
(2006)
Days of our Lives
(2008)
Ruby & The Rockits
(2009)
Raising Hope
(2011) (Episode: "Burt's Parents")
Victorious
(2012) (Episode: "Car, Rain, and Fire")
Good Luck Charlie
(2012) (Episode: "Welcome Home")
South Pacific
(1953) (Broadway, ensemble role)
Me and Juliet
(1954) (Chicago)
Oklahoma!
(1956) (European tour with Jack Cassidy)
The Beggar's Opera
(1957) (with Jack Cassidy)
Wish You Were Here!
(1959) (Dallas State Fair Theater with Jack Cassidy)
The Sound of Music
(1966) (Regional - various)
Maggie Flynn
(1967) (Broadway with Jack Cassidy)
Wait Until Dark
(1967) (with Jack Cassidy)
The Marriage Band
(1972) (with Jack Cassidy)
On a Clear Day You Can See Forever
(1974)
Show Boat
(1976)
The Sound of Music
(1977)
Bitter Sweet
(1982)
Love Letters
(1994) (with Marty Ingels)
The King & I
(1994)
A Christmas Carol
(1994) (with Brian Keith and Kevin McCarthy)
Love Letters
(1995) (with Marty Ingels)
42nd Street
(2004) (Broadway with Patrick Cassidy)
Carousel
(2005)
courtesy of Wikipedia
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